Articles

PORTICO#2, Architecture, Sustainability silvadesigners PORTICO#2, Architecture, Sustainability silvadesigners

Kengo Kuma

Kengo Kuma is certainly one of the most recognised and expressive Japanese architects today. His (re)interpretations of traditional Japanese architecture include dynamic surfaces, innovative structures, the use of sustainable materials, an original way of thinking about the relationship between light and space…

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PORTICO#2, Culture, Arts silvadesigners PORTICO#2, Culture, Arts silvadesigners

Viúva Lamego

Although the title sounds like a contradiction in terms, for Viúva Lamego it makes perfect sense. At this century-old ceramics factory, there’s always time to talk to artists and achieve what’s best for their projects. Part factory, part studio, the secret of keeping young is a meticulous path of innovation.

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PORTICO#2, Culture, Arts, History silvadesigners PORTICO#2, Culture, Arts, History silvadesigners

Mappa Mundi

One of the great advocates of the Portuguese Overseas Expansion, the second Viscount of Santarém was a pioneer in the study of ancient maps. This atlas is one of the most remarkable compilations of these instruments of navigation and wonder.

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PORTICO#1, Arts, Culture silvadesigners PORTICO#1, Arts, Culture silvadesigners

Africa — The Revelation

THIS IS NOT A WHITE CUBE still has the lingering scent of wet paint. Located on Rua da Emenda, in Lisbon’s Chiado neighbourhood, this contemporary art gallery first opened its doors (and windows) in May this year, where visitors could see “In Memory We Trust”, a solo exhibition by the São Tomé and Príncipe artist, René Tavares.

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PORTICO#1, Architecture silvadesigners PORTICO#1, Architecture silvadesigners

Daniel Libeskind — the architect of poetry

“It’s the only way! If you think about it, a photograph is finished when it’s taken, a song is finished when it’s written, a sculpture is finished, a film is finished, but architecture waits. Because it’s a creative environment, it’s new space for occupants to come and fill it with the spirit it represents. Of course, architecture is always diplomatic and symbolic, and it’s mystical because it seems very abstract, straight lines, geometries and all those things.”

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